For artists & organisers
lorider is the shared workspace where artists and organisers plan every show together — riders, contracts and advancing, always current.
See how it worksFrom artists staring down a blank page to promoters chasing the right PDF across three inboxes and a WhatsApp thread — rider management runs on chaos, and everyone just lives with it.
Nobody teaches you how to write a rider. What goes in it? How is it structured? So most artists copy someone else's outdated template and hope it's close enough.
The venue's still on last month's PDF. The promoter missed the update buried in an email. The tech shows up with numbers nobody agreed to. Same show, different facts.
rider_v2_commented_final_FINAL.pdf. Feedback buried in an email thread. A correction dropped into WhatsApp and never seen again. Nobody — artist or organiser — knows which file is real.
New drummer, smaller stage, an acoustic set added last week — every change means re-sending documents to everyone and hoping they open the right one.
Hours lost to formatting documents, chasing "did you get this?" messages, and updating the same details in three places. Time neither side gets back — and it's rarely spent on the show itself.
A show runs smoother when everyone can plan properly. Instead, promoters and techs are stuck advancing gigs on incomplete specs, guessed numbers, and whatever PDF happened to be attached last.
There's a better way: one place, always current, for everyone involved.
One shared place
No more version roulette. The rider, the contract, the advance — one live document both sides edit, so nothing gets lost between the booking email and the loading dock.
Five steps, one shared workspace. Every step is a handoff between artist and organiser — LoRider keeps both sides looking at the same thing, always current.
An organiser reaches out with a date, a fee, a stage. The artist reviews it in one place — not a forwarded email chain.
Organiser proposes, artist reviews4 parties · June 15, 2025
Terms and riders live in one document both sides edit and approve section by section — no more chasing a signature on a PDF.
Both sides negotiate and approveTechnical, hospitality, logistics — the artist specifies what they need, structured and searchable, not buried in a Word doc.
Artist specifies, organiser reviewsStageplot, patch list, schedule — everything the crew needs to advance the show comes straight from the rider, not retyped from scratch.
Crew and artist align on the detailsEveryone walks in off the same day sheet and guest list, already agreeing on the details. The show happens — the paperwork stays out of the way.
One shared workspace — everyone sees exactly the rider, contract and stageplot sections that are theirs to edit or approve.
Managers, tour managers, booking agents and band members — build riders once, send clean contracts, run advancing without the inbox archaeology.
Coordinate stages, slots and acts; collect every act's tech and hospitality needs in one place; grant the right people the right access.
Every screen kills a piece of the chaos — from the blank page to advancing without the guesswork.
Every gig in one grid — venue, date, status and how far the advance has come, so nothing slips between the confirmation and the load-in.
Collaboration, permissions, logistics, technical detail — the parts that don't show up in a screenshot, but show up on show day.
Thread discussions on a single line item — a mic count, a meal time — instead of a marked-up PDF nobody can parse.
Send a bandmate a link to their position's patch and gear, not the whole 40-page rider.
Agents, tour managers, promoters and vendors — bring in whoever's actually part of the deal, not just the two names on the contract.
Change a single field and send it as a proposal — the other party accepts, rejects or counters, and the whole back-and-forth stays on record.
Twelve built-in personas — booking agent, tour manager, production manager, festival organiser, stage manager and more — each with its own capabilities baked in, not a generic admin-or-member toggle.
A lighting designer opens the lighting section. Hospitality stays with whoever's actually arranging it.
Lock a section once it's agreed, so a late-night edit can't quietly undo a signed-off decision.
Grant someone outside your organisation access to a single show or festival — a freelance stage manager, a local promoter's crew — scoped to that event and gone when it's over.
Hospitality, security, logistics, technical specs — structured sections instead of a wall of text.
Full band, trio, acoustic duo — build variants that inherit from your base rider instead of starting over each time.
Split ownership between artist and venue clearly, and generate the vendor requirement list automatically.
A day-of schedule and venue details plus a guest list with plus-ones and comps, checked against capacity automatically and exported as a PDF the crew can print.
AI assistance drafts professional rider language from a few bullet points, so you're editing, not staring at a cursor.
Auto-continue routing, stereo pair linking, batch auto-routing, and a 25cm grid snap — the small stuff that saves the real time.
Full version history across riders and contracts, so you can see exactly what changed, and undo it if it shouldn't have.
One artist or a full agency roster — start free for 14 days, then pick the plan that matches what you actually run, not what a sales rep thinks you should buy.
For the artist doing every job themselves
For one room, one stage, every night
For touring acts with a team advancing shows
For agencies running a full roster of acts
From artists building their first rider to organisers running a festival's worth of them — here's what people ask before they switch.
Start free — bring your next show into one shared, always-current workspace.