For agencies & management
Stop juggling folders per artist and inboxes per venue. Run offers through to signed contracts and advance every show from a single workspace.
See how it worksEvery artist has their own riders, every venue their own paperwork, and someone on your team is always chasing the latest version. LoRider gives your whole roster one shared, always-current workspace.
Nobody teaches you how to write a rider. What goes in it? How is it structured? So most artists copy someone else's outdated template and hope it's close enough.
The venue's still on last month's PDF. The promoter missed the update buried in an email. The tech shows up with numbers nobody agreed to. Same show, different facts.
rider_v2_commented_final_FINAL.pdf. Feedback buried in an email thread. A correction dropped into WhatsApp and never seen again. Nobody — artist or organiser — knows which file is real.
New drummer, smaller stage, an acoustic set added last week — every change means re-sending documents to everyone and hoping they open the right one.
Hours lost to formatting documents, chasing "did you get this?" messages, and updating the same details in three places. Time neither side gets back — and it's rarely spent on the show itself.
A show runs smoother when everyone can plan properly. Instead, promoters and techs are stuck advancing gigs on incomplete specs, guessed numbers, and whatever PDF happened to be attached last.
There's a better way: one place, always current, for everyone involved.
Collaboration, permissions, logistics, technical detail — the parts that don't show up in a screenshot, but show up on show day.
Thread discussions on a single line item — a mic count, a meal time — instead of a marked-up PDF nobody can parse.
Send a bandmate a link to their position's patch and gear, not the whole 40-page rider.
Agents, tour managers, promoters and vendors — bring in whoever's actually part of the deal, not just the two names on the contract.
Change a single field and send it as a proposal — the other party accepts, rejects or counters, and the whole back-and-forth stays on record.
Twelve built-in personas — booking agent, tour manager, production manager, festival organiser, stage manager and more — each with its own capabilities baked in, not a generic admin-or-member toggle.
A lighting designer opens the lighting section. Hospitality stays with whoever's actually arranging it.
Lock a section once it's agreed, so a late-night edit can't quietly undo a signed-off decision.
Grant someone outside your organisation access to a single show or festival — a freelance stage manager, a local promoter's crew — scoped to that event and gone when it's over.
Every screen kills a piece of the chaos — from the blank page to advancing without the guesswork.
Every gig in one grid — venue, date, status and how far the advance has come, so nothing slips between the confirmation and the load-in.
One artist or a full agency roster — start free for 14 days, then pick the plan that matches what you actually run, not what a sales rep thinks you should buy.
For the artist doing every job themselves
For one room, one stage, every night
For touring acts with a team advancing shows
For agencies running a full roster of acts
From artists building their first rider to organisers running a festival's worth of them — here's what people ask before they switch.
Start free — bring your next show into one shared, always-current workspace.